Hong Ke’s novel, Urho (乌尔禾, 红柯著), is set during the 1960s in the Zungharian Basin at the edge of the Gurbantünggüt Desert. This remote and rugged area of Xinjiang was once a favored hunting ground for the Mongol Khans when they ruled Cathay. A Han soldier back from the Korean front — dubbed “Hailibu” by the locals after the legendary Mongolian hero graced with the gift of understanding animal speech — runs a sheep ranch for the Xinjiang Construction Corps.
** Excerpt **
It was the tail-end of summer, and Hailibu hadn’t imagined that the boy would grow so intimate with the lambs. This was Hailibu’s error. He had forgotten that Weijiang’s affinity with the animal world was rapidly deepening.
Before the traditional time for setting sheep free — late autumn — had arrived, Weijiang set free a pair on his own.
This caused Hailibu considerable consternation. It was one thing for an old man to perform such a ritual, but perhaps this act of charity was best not performed by a child. Alone deep in the wilderness, Hailibu pounded his head.
Hailibu spoke with Weijiang’s father, suggesting the boy leave the sheep ranch. The man imagined his son must have stirred up some trouble. Yet when Hailibu explained about the boy’s releasing sheep into the wild, Weijiang’s father just laughed.
“Freein’ a sheep, is that such a big thing?” said the father. “When that boy’s momma had him in her belly, she let hares go. At our place, they used to come and go whenever they pleased. I don’t know how many hares we freed, me ’n her. Hedgehogs too. Like fresh meat delivered to our door, but we saw ’em off in fine health.”
“So somebody let a pair of your sheep go, and you feel bad, right?” he queried Hailibu. “I’ll give you ’nother two to make up for it.”
“The hell you will! Let’s have a drink.”
The pair sat down on the kang and finished off a bottle of liquor. Hailibu felt relieved.
* * *
Time passed, but Hailibu remained uneasy. Having made arrangements for the ranch, he mounted his horse and began roaming the steppe. He rode to Toli and Hoboksar in North Xinjiang. He listened wistfully to urtyn duu, the famed Long-Song of the Mongolians, and to folk songs sung by Aken, Kazakh minstrels who play the stringed dongbula.
Hailibu visited the most respected Elder on the steppe. A virtual encyclopedia of the grasslands, the old man could narrate ancient legends for months on end. Among these tales, however, few mentioned a child setting sheep free.
This weighty matter on Hailibu’s conscience didn’t escape notice. “Guest from afar,” said the Elder, “Speak what is on your heart. Otherwise it will freeze over.”
Hailibu explained that a boy at his ranch had freed a pair of sheep on his own.
The old man was unfazed. “How far can they go, sheep released by a youngster?” Before the old man could utter another word, Hailibu began to tremble and prepared to kneel.
“They were released by one child, so they shall be taken in by another,” announced the Elder, matter of factly. At which point, Hailibu prostrated himself with a thud.
“Fathers are like that,” chuckled the Elder. Two young Kazakhs lifted the visitor off the ground. Hailibu clambered into his saddle like a drunkard.
“Can he ride that way?” asked one of the young men as Hailibu’s horse departed. “He’s falling asleep. Better bring him back!”
“A horseman doesn’t sleep in a tent or on a prairie,” said the Elder. “For him, the steadiest bed is a saddle.”
Hailibu was indeed exhausted. On the steppe, there is a custom: When a man reaches the limits of his fatigue, in his stupor he climbs into his saddle, releases the reins and lets his steed take charge. Dreams know no boundaries, nor does sleep. This carefree, directionless rambling is a gift from the Heavens, when a Spirit takes brief possession of the body.
“Like a bird, a gazelle, a deer or a wild stallion,” said the Elder to the young men. “That’s a life worthy of envy.” [end]
Like to read the full Chapter 3 from Hong Ke’s Xinjiang-based novel? Contact Ms. Wang Ting (email@example.com) at Beijing October Arts & Literature Publishing House.