In Inventing Chinese Mass Tourism to Tibet, we see the creative marketing of China’s Tibet moving into high gear:
The most recent and most spectacular staging of Tibetan history and culture, specifically intended for tourist consumption, was announced in 2013. Three mass entertainment companies combined in 2013 to turn the best selling Chinese fantasy book series, Tibet Code into a movie and, they announced, a theme park.
The three companies involved are a Hollywood studio and two Chinese partners with global ambitions. The partnership was put together by Dream Works, a studio keen to earn more from the booming Chinese movie market.
This planned movie, theme park and branded merchandise has the lot: not only fiercely loyal Tibetan dogs, swords, spears, mystery, pacy action, but even Hitler and Stalin play roles in exhibiting the universal fascination with Tibet. Tibet Code is preoccupied with the external artefacts of Tibetan mysticism, as power objects to be sought and fought over, much as the mysteriously powerful ritual objects of the Catholic church feature in The da Vinci Code. These sacra are both wondrous and fearsome, long dead yet still alive, with a power to confer power or wreak harm, an ambivalence deeply felt in modern life. Tibet Code does not hesitate to throw in both Joseph Stalin and Adolf Hitler, both supposedly despatching secret missions to capture that power for their evil ends, each preoccupied with Tibet as a mysterious source of power.