非漂 [Fēi Piāo] March 2017 Newsbriefs

Call for Papers

Workshop on Strategies for the Promotion of African Language Literature. To be held at the University of Vienna May 2-4. Deadline for abstracts: March 15, 2017.

 

Topics

J.O.J. Nwachukwu-Agbada’s Nigerian Written Literature Since 1914: . . . to write a piece of African literature without the injection of African traditional materials is like preparing a soup without thinking of salt. African oral materials found even in snippets confer authenticity on the modern African literary heritage. Thus Achebe, Soyinka, Okigbo, Okara, Aluko, Clark, Ike, Amadi, etc. are today remembered among other reasons for what they have made of orature which they inherited from their different cultures . . . recent writers are even more aggressively adept at appropriating folk materials: Osofisan, Okri, Osundare, Fatoba, Sowande, Ofeimun, Enekwe, Nwabueze, Ezenwa-Ohaeto . . .

Full text of speech by Ngũgĩ wa Thiong’o in Pretoria in early March, Decolonize the Mind, Secure the Base: The entire African language speaking majorities are taxed directly or indirectly so that 90 percent of the resources available for language education can go to English accents. In some countries African language have been unceremoniously axed out of the curriculum or made into electives. Some advocates of English dominance not only want it so but would actually like to see the literary disappearance of native languages altogether. 

Extract from Chi Zijian’s New Novel, “Peak among the Mountains” (群山之巅)

The Saber

When livestock catch sight of Xin Qiza, the Butcher of Longzhan Town, they realize that this is their doomsday sun. They take fright, even though that isn’t a butcher knife strapped at his waist — it’s just his beloved pipe.

Winter or summer, as long as it’s sunny, Xin Qiza needn’t light his pipe with a match. In one of his pants pockets is a fist-sized convex lens, and in the other Chi Zijian's On the Summita clump of birch bark. Whenever he feels like a smoke, he pulls out the lens and turns it towards the sun, concentrating its rays downwards as if they were rushing to town on market day. He generates a flash point, then extracts a paper-thin slice of bark, holds it under the lens for it to catch and lights his pipe.

Of course, starting a fire from the sky isn’t always so easy. On a bright summer’s day, the lens can filch fire in an instant, but in the dead of winter, the North Wind howls and the sun is weak, and fire comes slowly. Still, Xin Qiza is patient. Tobacco lit by the sun has a unique fragrance, he says, and is worth the wait. The lens that he keeps on his person is like a hired hand: he can call him whenever he likes and order him to his heart’s content.

His pipe and lens aside, Xin Qiza’s treasures comprise butcher knives of every description — they are the utensils upon which his livelihood depends. He can’t help but adore them. Amongst farm animals, though, his affection engenders hatred!

After several decades as the Butcher of Longzhan, a bloody bouquet hovers tenaciously about him, and for these animals with their acute sense of smell, it’s like a hidden River of Death, something with which they could not be more familiar. So when he appears by the waterway, and the cows, horses and sheep catch sight of him, no matter how luscious the grass where they are grazing, they raise their hooves and gallop off. When he strolls on the streets and in the alleys, if sunbathing pigs spy him, they tremble and crawl on their bellies, and the odd one loses control of its bladder. When a neighbor’s dog encounters the butcher, if it doesn’t retract its head like a turtle and scamper back to its master for refuge, then it approaches ingratiatingly and licks his shoes, as if appealing for a permanent stay of execution. Xin Qiza doesn’t wear leather shoes. If he did, he wouldn’t need to shine them. [end]

(Partial excerpt from Chi Zijian’s new novel, Peak among the Mountains (群山之巅, 迟子建 著). Translated by Bruce Humes. For full excerpt and information on English language rights, contact Ms. Li at likangqin@99read.com . Read more about Chi Zijian here.)

非漂 [Fēi Piāo] February 2017 Newsbriefs

Potpourri

Welcome to LagosFive greatest Old African novels to read before you die . . . cheveux naturels in Sénégal, Men may say they don’t like it and of course they hate the cost but they are attracted to the look . . . resident Chinese in Africa by the numbers . . . interview with Abubakar Adam Ibrahim: Northern Nigeria’s ‘literary provocateur’ . . . Chibundu Onuzo’s novel Welcome to Lagos reviewed at The Guardian . . .

Upcoming Literary Events

Time of the Writer’s Festival

Date: March 13-18th, 2017

Theme: The Past Paving the Future

Host: Centre for Creative Arts, U of Kwa-Zulu Natal

Participants include: Fred Khumalo, author of Bitches’ Brew; Nomsa Mdlalose, folklorist and author of children’s books published in isiZulu, Setswana, Afrikaans and English; Lidudumalingani Mqombothi, awarded 2016 Caine Prize for African writing for his short story Memories We Lost;  Nakanjani G. Sibiya is a short story writer, novelist, poet and playwright who has authored/edited 50+ isiZulu literary works across genres, including his debut novel, Kuxolelwa abanjani?

Paper, Airwaves, Screen: From Text to Audience in African Popular Culture

Date: 12-13th July 2017

Venue: University of Bristol, UK

Keynote speakers: Lydie Moudileno (U of Pennsylvania), Tsitsi Jaji (Duke U)

Recent artworks, including Bili Bidjocka’s Infinite Writing and François-Xavier Gbré’s National Printworks, evoke the fragile material status of writing and reading. They also remind us of the power that each can yield. In light of development agendas pertaining to literacy (e.g. UN Sustainable Development Goal 4), this conference will attend to the cultures of reading and reception that emerge in popular culture on the African continent.

Backgrounder: Contemporary Ethnic-themed Fiction out of China

For several years after I arrived in China, I was treated like the “Other,” constantly quizzed on my nationality, what my compatriots ate for breakfast and my impressions of China. When visiting small towns or the countryside, at times I was ogled, which made me feel I was somehow, well, odd. That was a new experience for me!

One day it occurred to me that foreigners weren’t the only “Other” on the scene. What about those persons who didn’t claim to belong to the Han, China’s mainstream ethnic group? Estimates are that one out of ten citizens are of a different ethnicity, such as Zhuang, Miao or Uyghur, and that information appears on their ID card.

I began to wonder: How do they view their “Other,” i.e., the Han? How do their writers portray the effects on their people as they inevitably come into more frequent contact with the outside world, attend school taught in Chinese, or migrate to the city? And how do Han authors use ethnic motifs and depict minority characters in their contemporary fiction? I decided to explore these questions via new literature appearing in Chinese . . . (click here for full text)

非漂 [Fēi Piāo] Quote of the Week: What’s on the Curriculum for Students in South Africa?

Screen Shot 2017-01-14 at 06.44.01

One tweet in reaction to the Abantu Book Festival’s opening tweet designed to restart the decoloniality conversation:

非洲文学:中文译本

非洲文学:中文译本

(包含大陆、港台等版本)

最近更新:2017.1.19

本 “迷你数据库” 刚开始建设,绝对不算齐全,只供参阅。至今,原文都是英文或法文的书籍,但希望将来能包括其他本地语言,例如斯瓦希里、科薩語、阿拉伯语等。“年” 指的是译著出版年,而非原著作出版时间。欢迎留言!

Leila Aboulela (阿布列拉; 阿鮑蕾拉; 阿布雷雅; 莉拉·阿鲍蕾拉)

Chinua Achebe (钦努阿•阿契贝)

Chimamanda Ngozi Adichie (奇玛曼达·恩戈齐·阿迪奇埃)

  • Half of a Yellow Sun  《半轮黄日》(石平萍 译, 2010 年)
  • Purple Hibiscus 《紫木槿 (文静 译, 2017 年)
  • The Thing Around Your Neck 《绕颈之物》(文敏 译, 2013 年)

Ama Ata Aidoo (阿玛·阿塔·艾杜)

Uwem Akpan (乌文·阿克潘)

T. M. Aluko

Mariama Bâ (瑪莉亞瑪·芭)

Ishmael Beah (伊斯梅尔·比亚)

Tahar Ben Jelloun (塔哈尔·本·杰伦)

C

J. M. Coetzee (J.M.库切)

  • Age of Iron 《铁器时代》(文敏 译, 2013 年)
  • Boyhood: Scenes from Provincial Life男孩》(文敏 译, 2013 年)
  • Childhood of Jesus 耶稣的童年》(文敏 译, 2013 年)
  • Diary of a Bad Year  凶年纪事》(文敏 译, 2009 年)
  • Disgrace   《》(张冲  译, 2010 年)
  • In the Heart of the Country内陆深处》(文敏 译, 2007 年)
  • Life & Times of Michael K迈克尔·K 的生活和时代》(文敏 译, 2004 年)
  • Summertime夏日》(文敏 译, 2010 年)
  • Waiting for the Barbarians  《等待野蛮人》(文敏 译, 2003 年)

[Read more…]

非漂 [Fēi Piāo] January 2017 Newsbriefs

Alibaba: The House that Jack Ma Built is the business book that most inspired Nigeria’sthe-house-that-jack-ma-built
Iyinoluwa ‘E’ Aboyeji — co-founder of Flutterwave and Andela — last year: There are so many parallels between the intrigues of startups in China and our nascent African Startup ecosystem, he says.

Evan Mwangi reviews John Mugane’s The Story of Swahili and Alamin Mazrui’s The Cultural Politics of Translation: East Africa in Global Contexts, and wonders: Is it time for a slave rebellion in Swahili literary studies?

Etisalat Nigeria has announced the shortlist for the 2016 edition of its pan-African literary prize, the Etisalat Prize for Literature: The Seed Thief (Jacqui L’Ange, South Africa); And After Many Days (Jowhor Ile, Nigeria); Mr & Mrs Doctor (Julie Iromuanya, Nigeria).

Pwaangulongii Dauod tells us How to Write about Northern Nigeria: Your main character should be an imam, or a beggar, or farmer, or a herdsman. Or, all of it. But must be an illiterate and a Muslim who is not interested in science and technology.

 
jamal-by-alkibar-jrThe attempt by terrorists to impose Sharia law upon northern Mali resulted in the mass exodus of many musicians who had made the region famous. But music has returned to the north, and this is a review of Jamal, the first album by the new Malian group Alkibar Jr. that hails from Niafunké. Elements of Songhai, Peuhl and Tamasheq rock/blues figure on the disc.

 

African Theatre 15: China, India & the Eastern World: Newly available volume focuses on China, and features topics such as: How the PRC is  using “soft power” in its extensive engagement with South Africa, and, through its support for theatre festivals, with Lusophone countries in Africa; Construction of theatres, opera houses and cultural facilities as part of its foreign aid programs in Algeria, Cameroon, Mauritius, Ghana and Senegal; and what China is “importing” culturally from Africa.

奇玛曼达·恩戈兹·阿迪契小说 《紫木槿》 出版了:Chimamanda Ngozi Adichie, the high-profile female Nigerian novelist who is spending much of紫木槿 her time in the US, now has at least three of her works out in Chinese. The
latest, published in January 2017, is her novel, Purple Hibiscus. The other two are The Thing Around Your Neck (绕颈之物) and Half a Yellow Sun (半轮黄日).

非漂 [Fēi Piāo] Quote of the Week: On Swahili Literature Denigrating Slaves

Much of Swahili literature, including proverbs and canonical works like Utendi wa Mwana Kupona, denigrate watumwa (slaves) as if blacks were not forcibly captured, raped, castrated, and uprooted from their cultures. The casualness with which slavery is treated, even by progressive poets like Muyaka, is the biggest scandal in Swahili letters.

(Evan Mwangi, in his essay We Need a Slave Rebellion in Literary Studies of Swahili, that reviews two books, The Story of Swahili and The Cultural Politics of Translation: East Africa in Global Contexts)

Ece Temelkuran: Novels by Provocative Turkish Writer Coming Soon to China

专访|土耳其作家伊切:伊斯坦布尔是帝国,安卡拉是共和国

In a welcome move to break the near-monopoly of fiction sourced from a familiar pool of American, European and Japanese writers, a batch of new Turkish works will be appearing in bookstores throughout China in 2017. And they won’t be limited to further releases by Nobel Laureate Orhan Pamuk, whose name is virtually synonymous with Istanbul among Chinese readers, or Turkey’s most popular female novelist Elif Şafak (The Bastard of Istanbul).

One of the fresh faces coming to China is Ece Temelkuran’s. Notably, she will have not one but three books — including two novels — out in Chinese within

Ece Temelkuran: Turkish novelist, political commentator and investigative journalist

Ece Temelkuran: Turkish novelist, political commentator and investigative journalist

2017. The first of these, 香蕉的低语 (Banana Sounds), set in war-torn Beirut, launched in October 2016. Now under translation are a novel about four women motoring across North Africa, 《下诅咒的女人》(暂译)(Why Have a Revolution if I Can’t Dance), and a book-length exploration of “Turkishness,” intriguingly entitled 我的祖国:土耳其的疯狂与忧愁 (Turkey: The Insane and the Melancholy).

At long last, Turkey’s most classic novel of the 20th century, The Time Regulation Institute, was published in Chinese earlier this year (时间调校研究所). Ahmet Hamdi Tanpınar’s satirical look at the effects of a social engineering project gone awry — in which the Turkish authorities urge the public to jettison its Ottoman culture and ape the West no matter how bizarre the result — has been rendered by a German-based Chinese translator, Tan Lin (谭琳). Regrettably, the Chinese is based upon the German translation of Tanpınar’s original; indeed, there is a dearth of well-trained Turkish-Chinese literary translators, though several of Pamuk’s novels have been translated from the Turkish for Horizon Books.

%e9%a6%99%e8%95%89%e7%9a%84%e4%bd%8e%e8%af%adThe Time Regulation Institute joins a series of five Chinese renditions of contemporary Turkish novels already published by Shanghai Literature and Art Publishing (土耳其当代文学丛书). They include novels by some of Turkey’s best known living writers, such as Oya Baydar and Mario Levi. An additional four Turkish novels will join the series in 2017. They are: The Dervish Gate by Ahmet Ümit (托钵僧之门); Hakan Günday’s The Few (黑暗边缘); Hakan Bıçakçı’s Dark Room (黑屋), and Secrets Dreamed in Istanbul (伊斯坦布尔寻梦记,暂译) by Nermin Yıldırım. [Read more…]

Mini-database: Modern Turkish Literature in Translation (当代土耳其文学译著迷你数据库)

Updated: Mar 22, 2017

当代土耳其作家、原作品与其翻译版本书名

20th-21st Century Turkish Authors 

Turkish Titles

Translations into West European Languages & Chinese

A

Sait Faik Abasıyanık

Pir Sultan Abdal

Neslihan Acu

Mehmet Açar

Bilgin Adalı

Halide Edip Adıvar (哈莉黛·埃迪布·阿迪瓦尔)

Erhan Afyoncu 

Adalet Ağaoğlu

Beyazit Akman

[Read more…]