Tibetan Topics (藏话题)

Champa the Driver: Tibetan Candide Does Beijing?

Over at, Brigitte Duzan has just published a backgrounder on Beijing-based Hong Kong writer Chan Koonchung (陈冠中). She details his works from 1976 to the present day, but in the excerpt below she is talking about his new novel, The Unbelievable Dreamworld of Champa the Driver, starring a Tibetan chauffeur in Lhasa who dreams of hanging out in Beijing:

Chan Koonchung a choisi son sujet en connaissance de cause. Il a commencé à s’intéresser au Tibet en 1992 car il a alors réalisé des recherches pour un film que voulait réaliser Francis Ford Coppola. Depuis lors, il a vu la proportion de Han dans la population de Lhassa augmenter régulièrement, les touristes chinois se multiplier tandis que les touristes occidentaux se faisaient plus rares, faute de visas.

A l’origine, il voulait conter l’histoire d’un jeune Tibétain tel que le Nyima qui croise la route de Champa dans son roman. Mais il a finalement opté pour une autre optique : faire jouer à son personnage un rôle d’observateur à la Candide.

China's Ethnic-themed Fiction in Translation (中国民族题材文学的外译) Chinese Fiction by & about Ethnic Minorities (中国少数民族文学)

Chinese Fiction in Translation: Novels/Novellas with “Ethnic” Theme

Over the last few months a number of reporters have e-mailed to ask about the state of Chinese literature in translation, particularly in light of Mo Yan’s winning the 2012 Nobel Prize for Literature. But most cite just a handful of authors and works in their questions— and Shanghai Baby, translated by yours truly over a decade ago!—is often one of them.

My advice to them is simple: do your homework, please! For starters, check out Paper-Republic.  All sorts of goodies over there, including a list of translated Chinese fiction (and poetry) published in 2012, Chinese fiction published in 2013, and a Translator Directory too.

Here at Altaic Storytelling, we focus on writing by & about non-Han peoples, particularly those which speak an Altaic language, but not exclusively. And it is interesting to note that translated fiction with an “ethnic” twist has been building up steam for a while, pre-dating the Mo Yan craze, in fact.

To my mind, the impetus for the increased profile of Chinese literature in the outside world began when China was named “Guest of Honor” at the 2009 Frankfurt Int’l Book Fair. Chinese authors and publishers socialized with their European counterparts—many for the first time—and important contacts and contracts resulted, with the books born of this schmoozing finally hitting the market 2-3 years later.

In China is Focusing on the Fringes published in March this year, literary translator Nicky Harman presciently pointed out that “independent–minded Chinese writers are becoming seriously interested in the geographical fringes of ‘China proper’, drawing on its people, their traditions and conflicts at work.” And as you can see below, foreign publishers are interested. When you consider that over the last few years just 15 or so Chinese novels have appeared in English each year—ethnic or no—this table looks a bit more impressive.

Indeed. So, to show this more graphically—and perhaps even to save myself a bit of hassle in recreating the wheel for the next journalist who wants to pick my brains—I’ve put together this table. If you know something I should add to it, including current projects that will be published in 2014, please let me know!