In China’s Minority Fiction, Sabina Knight poses the sensitive question "Should non-Han writers [based in the PRC] be considered Chinese writers?" and provides an overview of their writing in post-1949 China. She concludes:  Minority fiction reveals long-buried wells of nostalgia, resentment, strength, and hope. Celebrated for adding multicultural threads to the Chinese fabric of prosperity, these … Continue reading China’s ‘Minority’ Fiction: Wells of Nostalgia, Resentment, Strength and Hope →