Two poets have collaborated to publish a book containing 29 renditions of songs of praise traditionally chanted by shaman. The original odes in Mongolian were first translated into Mandarin by Mongolian scholar Ni Ma (尼玛), and then polished by Xi Murong(席慕蓉), who also knows Mongolian but was educated in Taiwan. The book is published by the Ethnic Publishing House (北京民族出版社), according to a report in Chinawriter(萨满神歌).
Entitled 萨满神歌 (lit., sacred songs of the shaman), they offer praise mainly to mothers, and the spirits of mountains and rivers. Such songs are passed on orally and rarely written down.
Shaman and their lyrics do occasionally appear in 21st-century Chinese fiction, however. For example, here are three novels with key roles for shaman, the first below being Evenki (and a woman), while the latter two are Mongolian:
Mongolia by Guo Xuebo (蒙古里亚, 郭雪波著). This is a powerful new semi-autobiographical work by an author who is the descendent of a line of shaman. I’m working now on an excerpt and hope to post in September.
Protests over land have occurred in several herding communities in Inner Mongolia during May and early June, according to RFA (Grassland Protests Spread). Ethnic Mongolian herders say access to traditional grazing land is increasingly being curtailed or permanently denied in favor of mining and logging projects, or highway construction. Inadequate or total lack of compensation for the land is also an issue.
Among the communities where protests have taken place are Tulee Gachaa, Mingren Som Township, Zaruud Banner and Ar-Horchin Banner. Arrests have been made, cell phones used by onlookers to shoot videos of police actions have been confiscated, and in one instance in Zaruud Banner, one herder was reportedly beaten unconscious by police and is “still receiving emergency medical treatment in the Zaruud Banner People’s Hospital,” according to the RFA report.
Unrest due to government-supported exploitation of Inner Mongolian natural resources is not a new phenomenon. Back in June 2011, a Han truck driver was found guilty of running over a Mongolian herder who was “blocking a road to protest environmental damage by trucks hauling coal,” and — in a move that shows how seriously the authorities viewed the large-scale protests at the time — the driver was sentenced to death (Truck Driver).
Angered by the news blackout that followed the herder’s violent death, and the way official propaganda has long sought to blame desertification of the grasslands on the Mongol’s traditional way of life, a young Mongolian rapper composed an emotional song in memory of the unfortunate herder — in Chinese — that went viral before it was deleted and/or firewalled by the authorities (献给草原英雄莫日根的歌):
Yo, I am a Mongol even if I sing my rap in Chinese
No matter what you say I am a Mongol
Mongol blood flows in my veins
Awarded every four years to between three and five long works of fiction (at least 130,000 hanzi), they will be handed out again this year (2015). China-based publishers have nominated some 252 works distributed in hard copy form between 2011-2014.
Naturally, there are plenty of works by famous mainstream authors on the list, such as Ge Fei (江南三部曲), Jia Pingwa (古炉, 老生) and Han Shaogong (日夜书).
But here at Ethnic ChinaLit, our focus is on “writing by & about non-Han peoples of China.” And it is my understanding is that there is a tradition — albeit an unwritten rule — that each set of Mao Dun awards include one “ethnic-themed” work (民族题材的作品). In the past, winners included Huo Da’s Funeral of a Muslim(穆斯林的葬礼), Alai’s Red Poppies (尘埃落定), and Chi Zijian’s The Last Quarter of the Moon (额尔古纳河右岸).
By my count, there are at least 20 contenders for the prize that fall into the unofficial ethnic-themed category, i.e., the novel has major “non-Han” components in terms of characters and storyline. My impression is that the Chinese literary establishment has also become acutely aware of the need to identify and promote authors who not only write about ethnic minorities, but are themselves “ethnic” writers. That may give certain nominees a bit of an edge this time around — after all, winning titles and authors must definitely meet the prevailing standards of political correctness. Model writers, particularly hailing from restive border regions such as Xinjiang, Tibet and Inner Mongolia, are likely to be particularly in demand.
The recent brouhaha over Wolf Totem, the movie, is a good example of the pent up frustration among peoples
who are unhappy at seeing their culture commercialized for great profit —and possibly misinterpreted — by Han authors like Jiang Rong. See Breakthrough for Mongolian on the Screen for details of one author’s critique of the very idea that the wolf represents a totem for the Mongolian people.
I’ve gone through the list of 252 novels and done my best to identify non-Han authors and their works. No doubt I’ve missed some, and I welcome your additions and corrections. Interesting to note that this list is dominated by members of ethnicities located in northern China that traditionally speak an Altaic language such as Mongolian, Daur, Uyghur or Kazakh:
《时间悄悄的嘴脸》by Uyghur writer Alat Asem (阿拉提·阿斯木). For an excerpt of his writing, click on his short story Sidek Golden MobOff . I recently read the nominated work (a novella, actually), which I enjoyed. Asem’s fiction is a Uyghur world where Han just don’t figure; his hallmarks are womanizers, insulting monikers and a hybrid Chinese with an odd but appealing Turkic flavor.