Quick Guide to China’s Contemporary Ethnic-themed Literature in Translation

Updated: May 3, 2018 (No plans to further update) Quick Guide to China’s Contemporary  Ethnic-themed Literature in Translation I’m often too busy to immediately write a well-researched post about contemporary “ethnic-themed” fiction that has been translated and published in a foreign tongue. This is a loose category (民族题材文学) that includes stories — regardless of the … Continue reading Quick Guide to China’s Contemporary Ethnic-themed Literature in Translation

“Duobukuer River”: Daur Writer Paints Brighter Future of One Who Left the Greater Khingan Range Behind

Ever since I completed my translation of Han author Chi Zijian’s Last Quarter of the Moon, set in the Greater Khingan Range (大兴安岭) that divides the Manchurian plain of northeastern China from the Mongolian Plateau of Inner Mongolia, I’ve been wondering: How would one of the indigenous nomadic peoples, an Evenki, Oroqen or Daur for … Continue reading “Duobukuer River”: Daur Writer Paints Brighter Future of One Who Left the Greater Khingan Range Behind

Author’s Afterword: “Last Quarter of the Moon”

 Afterword: From the Mountains  to the Sea   The birth of a literary work resembles the growth of a tree. It requires favorable circumstances. Firstly, there must be a seed, the Mother of All Things. Secondly, it cannot lack for soil, nor can it make do without the sunlight’s warmth, the rain’s moisture or the … Continue reading Author’s Afterword: “Last Quarter of the Moon”