“If 2013 was ‘Mo Yan Year’, then 2014 was ‘Year of the Literary Prize’ ” writes Chen Mengxi (陈梦溪) at the Beijing Evening News.
Indeed. It’s got the makings of a good scandal: transparency and fairness of the voting were loudly questioned in social media, new-fangled prizes not sponsored by the state — or even registered with it — popped up like mushrooms after a spring rain, and the powers-that-be even stepped in to forbid one long-running competition from presenting its (traditionally rather hefty) cash award this year.
At one point, a heavyweight in China’s literary world, Alai, nearly went ballistic when his new work didn’t receive the recognition he thought it deserved. Reports The Shenzhen Daily (National Literature Prize Raises Questions):
His [Alai’s] nonfiction novel, “The 200 Year Legend of Kangba [瞻对],” gained zero votes in the category of “reportage.” He is now planning to launch an investigation into the prize’s selection process.
“I was very shocked by the news. I could not say that I was the best, but it was impossible for me to get zero votes. I very much doubt the fairness of the selection,” he said. “If it was some other prize, I would not care that much. However, the Lu Xun Literature Prize is a national award. As a taxpayer, I have the right to check the result.”
Even literary critic and editor-in-chief of People’s Literature magazine, Li Jingze (above right), recently weighed in concerning this year’s awards controversy (评奖). “I hope that no one will come to blows, or bite anyone. It’s precisely because everyone’s aesthetic preferences are different, so we need a variety of awards in order to express the breadth and variety of literature today.”
Sounds like good fun, eh? It reminds me a bit of those vignettes of fisticuffs that take place occasionally in Taiwan’s often-less-than-civil Legislative Yuan. Democracy is messy, of course, and while China’s literary scene is hardly suffering from a bout of mínzhǔ zhǔyì, the masses are beginning to make themselves heard.
And it’s about time. Three years ago, in 2011 Mao Dun Literature Prize: Recognizing Fine Literature or Rewarding Writer-Officials?, I reported on the hubbub over the fact that, according to the China Daily, “eight of the top 10 on the [winner’s] list are chairpersons or vice-chairpersons of provincial Writers’ Associations.” Here’s what the Guangzhou Daily had to say about such shenanigans:
Official status cannot and should not be a criterion for literary excellence. That’s why people doubt the authenticity of prizes that are awarded to officials for their literary achievements. According to some media reports, even some national literary awards have been awarded to officials.
Fast-forward to the present. If you can read Chinese, check out Chen Mengxi’s article taking stock of this year’s awards, 盘点 2014 年文学奖 . Otherwise, keep reading for my summary below.