“Manas” Onstage: Ongoing Moves to Sinicize China’s Three Great Oral Epics

A large-scale, colourful rendition of the Kyrgyz epic Manas (玛纳斯史诗) was staged March 22-23 in Beijing’s ultra-modern Poly Theater. This performance came just two days after the newly anointed President Xi Jinping, speaking at the People’s Congress, cited two of the three great oral epics of non-Han peoples, Manas and the Tibetan-language King Gesar. While … Continue reading “Manas” Onstage: Ongoing Moves to Sinicize China’s Three Great Oral Epics

“Manas” Onstage: Ongoing Moves to Sinicize China’s Three Great Oral Epics

A large-scale, colourful rendition of the Kyrgyz epic Manas (玛纳斯史诗) was staged March 22-23 in Beijing’s ultra-modern Poly Theater. This performance came just two days after the newly anointed President Xi Jinping, speaking at the People’s Congress, cited two of the three great oral epics of non-Han peoples, Manas and the Tibetan-language King Gesar. While … Continue reading “Manas” Onstage: Ongoing Moves to Sinicize China’s Three Great Oral Epics

Definitions of “Chinese” Literary Works in Expansion Mode?

An intriguing picture of what constitutes Chinese literature (中国文学) emerges via an interview with Bai Gengsheng (访中国作协书记处书记白庚胜), a Naxi who has held several senior positions in the state-run ethnic minority literary research apparatus, including his current role as Secretary of the China Writers Association. In the interview with Chinese Reading Weekly (中华读书报), Bai says: In … Continue reading Definitions of “Chinese” Literary Works in Expansion Mode?