- Tags 3 •14 Riots, A la orilla derecha del Río Argún, Ahjitai, Aku Wuwu, Alat Asem, altaic storytelling, Altay, Aoluguya Evenki, Aydos Amantay, Ayonga, Ayşe Ünal Ersönmez, アルグン川の右岸, Çin Edebiyatından Kültür Devrimine, གཟུགས་མེད་ཀྱི་གཏུབ་གྲི, གཡང་འཙོ་སྐྱིད།, དངུལ་དཀར་གྱི་ཕྲེང་དཔོན།, པད་མ་ཚེ་བརྟན།, Back Quarters at Number 7, Badai, Bainacha, Baoerj Yuanye, black jail, book review by bruce humes, Bortala, Bruce Humes translator, Butterfly Mother, Canticle to the Land, champ the driver, Chan Koonchung, Changji Hui Autonomous Prefecture, Chi Zijian, Chieftain Khampu Dzongsar, Chutzpah! (天南), Chutzpah! Issue 14, collectivization of Kokonor, Coyote Traces: Aku Wuwu’s Poetic Sojourn in America, Cultural Revolution, 狼图腾, 王刚, 看不见的西藏, 石舒清, 碧洛雪山, 穆斯林的葬礼, 空山, 笛鸛, 红柯, 纳张元, 罗庆春, Dan Zeng, Dolma La, Dreaming of My Father by Liglave A-wu, drongpa, Evenki, Evenki Place Names), 通往滴水的路, 郭雪波, 鄂温克族, 野夫, 舞鹤, 艾多斯·阿曼泰的, 英格力士, 范稳, 阿库乌雾, 阿拉提·阿斯木, 陈冠中, 霍达, 额尔古纳河右岸, 裸命, 複眼人, 西海固の人々, 西海固的故事, 觉罗康林, 鲍尔吉·原野, 麦麦提敏·阿卜力孜, 黑监狱, 迟子建, Fan Wen, forced relocation of the Evenki, Funeral of a Muslim, Genhe City, Gerelchimig Blackcrane, Grayhawk Agency, Greater Khingan Range, Guan Renshan, Guo Xuebo, Gurbantünggüt Desert, Hailibu, Het laatste kwartier van de maan, High Peaks Pure Earth, Hoboksar, Hollow Mountain, Hong Ke, Huo Da, Hutubi, Ili, Ingilizce, ﺳﺎﺩﯨﺮ ﻳﯧﺘﯩﻢ ﻗﺎﻟﻐﺎﻥ ﺑﻪﺵ ﺑﺎﻟﯩﺴﯩﻨﻰ ﺋﯩﺰﺩﻩﭖ, Jane Weizhen Pan, jangkulembi, Jin Renshun, Ju Kelzang, Kanglin Gioro, Karamay, Kazakh, Kuytun Country, Kyabchen Dedrol, L'homme aux yeux à facettes, La couleur de la mort, La rivière des femmes: Nouvelles Hui, la vallée des renards noirs, La vida contidiana de las mujeres Lahu de Lancang， 澜沧拉祜女子日常生活, Lancang River Canyon, Las Zarcas Nieves de Biluo, Last Quarter of the Moon, Le chef des perles en argent, Legend of Manas (玛纳斯故事, Les Survivants, Lhajam Gyel, Li Jinxiang, Li Juan, Love Liu, Manas County, Manchu writer, Martin Merz, Meige, Memtimin Hoshur, Mongolian Long-Song, Moŋgoliya, Moŋgoliya 蒙古里亚, Muhammedemin Abliz, Na Zhangyuan, Nicky Harman, Nil Demir, Nurmuhemmet Yasin, Oroqen, Pathlight Issue Spring 2014, Patigul, Pema Bhum, Pema Tseden, reindeer moss, rhapsody in black, Right Bank of the Argun, Shawan, Shi Shuqing, shirangju, Sidik Golden MobOff, six-stringed dramnyen, Sixth Dalai Lama Tsangyang, Snow Lion: New Writing from Tibet, Sorceress Diguwan, Tacheng, Tashi Gyatso, The Creation Story, The Epic of Jangar (江格尔传奇, The Mongol Would-be Self-Immolator, The Nightjar at Dusk, The Road to the Weeping Spring, The Unbearable Dreamworld of Champa the Driver, Toli, Tsering Döndrub, Ultimo quarto di luna, Une terre de lait et de miel, Ureltu, Urho, urtyn duu, Urumqi, Uyghur fiction in translation, Uyghur writer Alat Asem, مەمتىمىن ھوشۇر, Wang Gang, white tara boddhisattva, Wild Pigeon, Woeser, Wolf Totem, Wusu, Xinjiang, Yangchenma, Yangtsokyi, Ye Fu, Ye Guangqin, Yili Kazakh Autonomous County, Yunnan-Tibet trilogy, Zungharian Basin, 利格拉乐.阿乌, 努尔莫哈提·亚辛, 叶尔克西·胡尔曼别克, 叶广芩, 吉狄马加, 后罩楼, 大地雅歌, 存文学, 居·格桑, 居素普·玛玛依, 徐穆实, 拉先加, 撞客, 斯迪克金子关机, 无痛, 李进祥, 李娟, 格日勒其木格・黒鶴, 格格, 梅葛, 梦中的父亲, 死亡的颜色, 民族题材文学, 水乳大地, 海力布, 万玛才旦, 乌尔禾, 买买提明·吾守尔, 余生, 澜沧江, ئۇيغۇرچە تۇيغۇلار, بۇ چۈش ئەمەس
Tag: Jin Renshun
During June 5-9, Nationalities Literature Magazine (民族文学) organized an intensive “editing/rewriting training course” (改稿班) that brought together the magazine’s editors with twenty-plus Kazakh writers and their translators. Mandarin and Kazakh aside, the magazine appears in Mongolian, Korean, Tibetan and Uyghur, and training sessions for writers and translators of the latter four languages are also scheduled to take place within June, according to the article (改稿班).
We can expect that this will—eventually—lead to fiction written by non-Han authors in their own tongues being published in English. The first step is to get their writing into Mandarin, possibly via Nationalities Literature Magazine, or People’s Literature (人民文学). It will then stand a good chance of appearing in Pathlight, a magazine dedicated to Chinese literature in English translation that is jointly produced by People’s Literature and Paper Republic.
In fact, the Spring 2014 edition of Pathlight will feature writing solely by ethnic writers: fiction by Alat Asem (阿拉提·阿斯木, Uyghur), Ayonga (阿云嘎, Mongolian), Jin Renshun (金仁顺, Korean), Guan Renshan (关仁山, Manchu), Li Jinxiang (李进祥, Hui), Memtimem Hoshur (买买提明·吾守尔, Uyghur),Ye Guangqin (叶广芩, Manchu) and Yerkex Hurmanbek (叶尔克西·胡尔曼别克, Kazakh); poetry by Artai (Mongolian,阿尔泰), Aydos Amantay (艾多斯·阿曼泰, Kazakh), Jidi Majia (吉狄马加, Yi-Nuosu), Luruodiji (鲁若迪基, Pumi), Ma Huan (马桓, Hui) and Nie Le (聂勒, Wa); and non-fiction by Patigul (帕蒂古丽, Uyghur), Ye Fu (野夫, Tujia), Ye Mei (叶梅, Tujia) and Tenzin (丹增, Tibetan). The full contents aren’t up online yet, but the cover, contents page and link to purchase should be here soon.
