Director Feng Xiaogang’s gaze graces the cover of several publications this week, and indeed, the “disaster movie” genre in China may never be the same again thanks to him.  His adaptation of Zhang Ling’s Aftershock (张翎的 "余震") is mesmerizing the nation’s moviegoers, and this tale of the 1976 Tangshan earthquake that killed over 200,000 leaves … Continue reading Zhang Ling’s “Aftershock”: The Movie, the Screenwriter and the Part-time Censor →