A children’s literature exhibition and copyright exchange for countries along the Silk Road were two of the major focuses of the just-ended Beijing Int’l Book Fair, reports the Global Times (Book Fair):
Children’s book publishers from 15 Arab countries and 18 domestic publishers signed deals that will see the best of children’s literature from China and the Middle East be shared between the two regions.
Given the increasing number of culture exchanges between China and Arabian countries, the China
Publishing Group, China’s largest publishing company, has worked on expanding cooperation with over 20 countries in the Middle East. At the fair, the publisher announced it closed a deal with Middle Eastern publishers to bring Maodun Literature Prize winner Zhou Daxin’s Requiem [安魂] to the region. The publishing house’s Mottos of Modern Chinese previously sold more than 10,000 copies in the region — a record for Chinese books sold in the Middle East.
This will come as no surprise to you, assuming you’ve been following the developments about China’s far-reaching One Belt, One Road campaign (一带一路), a development strategy and framework that seeks to foster connectivity and cooperation between China and the countries along the ancient Silk Road.
At the moment, the Silk Road Economic Belt is getting a lot of press coverage for its grandiose proposed infrastructure projects, and the fact that it is making Moscow and Washington rather jittery. But there’s a more subtle side to it. The “Silk Road Fragrant Books Project” (丝路书香工程) is effectively the cultural component of the campaign. Given the stamp of approval by China’s Ministry of Propaganda, it is designed to stimulate the translation and publication of great literary, historical and cultural works that are grounded in the cultures of peoples along the ancient Silk Road.
The project plan for 2014-20 includes translation subsidies, translations between Chinese and various foreign languages, international exhibitions, and a database of Silk Road publications. The definition of “silk road” is quite broad, including both the original land-based caravan routes from Xi’an through Central and West Asia, the Middle East and Europe, as well as the so-called Maritime Silk Road that linked the South China Sea, South Pacific and the Indian Ocean.
As I reported in Slice of the Pie, the Silk Road Fragrant Books Project already claims a number of achievements. Agreements were inked in 2014 to set up “mechanisms” to facilitate mutual silk road translation projects with countries such as Morocco, Saudi Arabia, Kuwait, Sri Lanka, Kazakhstan and Mongolia. Nationalities Publishing House (民族出版社) has reportedly undertaken to publish 17 books in Kazakh, including Three Hundred Tang Dynasty Poems (唐诗三百首) and the contemporary classic The Governance of China (习近平谈治国理政) by none other than President Xi Jinping.
Readers can now purchase the 374-page volume featuring 41 pieces of fiction, most translated from the original Kazakh into Chinese (中国当代少数民族文学翻译作品选萃 － 哈萨克族卷).
This is part of the Chinese government’s official translation project (“民译汉”), initiated in 2013, which aims to make writing by ethnic minority writers available to Chinese readers nationwide. This represents a change in orientation from earlier times when most translation was unidirectional, i.e., from Mandarin into a given minority language.
According to a brief review of the collection (民译汉工程) by 艾克拜尔·米吉提, it includes poetry, short stories and excerpts from novels from the 50s right up to today.
Featured Kazakh poets include:
- 库尔班阿里, 尼合迈德·蒙加尼, 夏侃·沃阿勒拜, 玛哈孜·热孜旦
Featured Kazakh writers, some writing directly in Chinese, include:
- Yerkex Hurmanbek (叶尔克西·胡尔曼别克), 哈依夏·塔巴热克, 丽娜·夏侃, 阿依努尔·毛吾力提. For an excellent interview with this author in Chinese, see 叶尔克西·胡尔曼别克专访：消失的牧歌.
Featured Kazakh-to-Chinese translators, mainly female, include:
- 常世杰, 姚成勋, 张森棠, 焦沙耶, 张孝华, 哈依霞·塔巴热克, 阿里, 韩玉文, 金炳喆, 丽娜·夏侃, 哈那提古丽·木哈什, 库拉西汉·木哈买提汉, 波拉提·巴德力汗, 星星, 吉恩斯古丽
For readers fluent in Chinese, these other volumes — translations from the Uyghur, Tibetan and Mongolian into Chinese — in the same collection may be of interest:
During June 5-9, Nationalities Literature Magazine (民族文学) organized an intensive “editing/rewriting training course” (改稿班) that brought together the magazine’s editors with twenty-plus Kazakh writers and their translators. Mandarin and Kazakh aside, the magazine appears in Mongolian, Korean, Tibetan and Uyghur, and training sessions for writers and translators of the latter four languages are also scheduled to take place within June, according to the article (改稿班).
We can expect that this will—eventually—lead to fiction written by non-Han authors in their own tongues being published in English. The first step is to get their writing into Mandarin, possibly via Nationalities Literature Magazine, or People’s Literature (人民文学). It will then stand a good chance of appearing in Pathlight, a magazine dedicated to Chinese literature in English translation that is jointly produced by People’s Literature and Paper Republic.
In fact, the Spring 2014 edition of Pathlight will feature writing solely by ethnic writers: fiction by Alat Asem (阿拉提·阿斯木, Uyghur), Ayonga (阿云嘎, Mongolian), Jin Renshun (金仁顺, Korean), Guan Renshan (关仁山, Manchu), Li Jinxiang (李进祥, Hui), Memtimem Hoshur (买买提明·吾守尔, Uyghur),Ye Guangqin (叶广芩, Manchu) and Yerkex Hurmanbek (叶尔克西·胡尔曼别克, Kazakh); poetry by Artai (Mongolian,阿尔泰), Aydos Amantay (艾多斯·阿曼泰, Kazakh), Jidi Majia (吉狄马加, Yi-Nuosu), Luruodiji (鲁若迪基, Pumi), Ma Huan (马桓, Hui) and Nie Le (聂勒, Wa); and non-fiction by Patigul (帕蒂古丽, Uyghur), Ye Fu (野夫, Tujia), Ye Mei (叶梅, Tujia) and Tenzin (丹增, Tibetan). The full contents aren’t up online yet, but the cover, contents page and link to purchase should be here soon.