Ngum Ngafor: As an artist, you follow in the footsteps of writers like Bate Besong and Mongo Beti to critique political and social issues. How urgent is it for today’s Cameroonian creative to be society’s conscience?
Patrice Nganang: It is more than urgent, particularly because Africa has had a
very long disconnect between its younger writers and the countries of their birth. The culture of [focusing on] US or Europe-based African writers who are trained in creative writing has effectively curtailed the politicisation of writers. And this at a moment, when battles are so urgent on the continent. Just look at the landscape of homophobia, tyranny and poverty! People are sold as slaves in front of our very eyes – in Africa! It is amazing to see how the continent has sunk to a level of sheer public criminality, while writers are most of the time busy writing about the plight of their lives in Western capitals and how cool they are. It is truly amazing to see the number of voices that are silenced on the continent, as writers talk about their travails in Western metropolises that were built by people who showed courage in adversity and sometimes even in wars. Some soul searching is necessary for African writers, particularly the younger ones.