非漂 [Fēi Piāo] March 2017 Newsbriefs

Call for Papers

Workshop on Strategies for the Promotion of African Language Literature. To be held at the University of Vienna May 2-4. Deadline for abstracts: March 15, 2017.

 

Topics

J.O.J. Nwachukwu-Agbada’s Nigerian Written Literature Since 1914: . . . to write a piece of African literature without the injection of African traditional materials is like preparing a soup without thinking of salt. African oral materials found even in snippets confer authenticity on the modern African literary heritage. Thus Achebe, Soyinka, Okigbo, Okara, Aluko, Clark, Ike, Amadi, etc. are today remembered among other reasons for what they have made of orature which they inherited from their different cultures . . . recent writers are even more aggressively adept at appropriating folk materials: Osofisan, Okri, Osundare, Fatoba, Sowande, Ofeimun, Enekwe, Nwabueze, Ezenwa-Ohaeto . . .

Full text of speech by Ngũgĩ wa Thiong’o in Pretoria in early March, Decolonize the Mind, Secure the Base: The entire African language speaking majorities are taxed directly or indirectly so that 90 percent of the resources available for language education can go to English accents. In some countries African language have been unceremoniously axed out of the curriculum or made into electives. Some advocates of English dominance not only want it so but would actually like to see the literary disappearance of native languages altogether. 

Extract from Chi Zijian’s New Novel, “Peak among the Mountains” (群山之巅)

The Saber

When livestock catch sight of Xin Qiza, the Butcher of Longzhan Town, they realize that this is their doomsday sun. They take fright, even though that isn’t a butcher knife strapped at his waist — it’s just his beloved pipe.

Winter or summer, as long as it’s sunny, Xin Qiza needn’t light his pipe with a match. In one of his pants pockets is a fist-sized convex lens, and in the other Chi Zijian's On the Summita clump of birch bark. Whenever he feels like a smoke, he pulls out the lens and turns it towards the sun, concentrating its rays downwards as if they were rushing to town on market day. He generates a flash point, then extracts a paper-thin slice of bark, holds it under the lens for it to catch and lights his pipe.

Of course, starting a fire from the sky isn’t always so easy. On a bright summer’s day, the lens can filch fire in an instant, but in the dead of winter, the North Wind howls and the sun is weak, and fire comes slowly. Still, Xin Qiza is patient. Tobacco lit by the sun has a unique fragrance, he says, and is worth the wait. The lens that he keeps on his person is like a hired hand: he can call him whenever he likes and order him to his heart’s content.

His pipe and lens aside, Xin Qiza’s treasures comprise butcher knives of every description — they are the utensils upon which his livelihood depends. He can’t help but adore them. Amongst farm animals, though, his affection engenders hatred!

After several decades as the Butcher of Longzhan, a bloody bouquet hovers tenaciously about him, and for these animals with their acute sense of smell, it’s like a hidden River of Death, something with which they could not be more familiar. So when he appears by the waterway, and the cows, horses and sheep catch sight of him, no matter how luscious the grass where they are grazing, they raise their hooves and gallop off. When he strolls on the streets and in the alleys, if sunbathing pigs spy him, they tremble and crawl on their bellies, and the odd one loses control of its bladder. When a neighbor’s dog encounters the butcher, if it doesn’t retract its head like a turtle and scamper back to its master for refuge, then it approaches ingratiatingly and licks his shoes, as if appealing for a permanent stay of execution. Xin Qiza doesn’t wear leather shoes. If he did, he wouldn’t need to shine them. [end]

(Partial excerpt from Chi Zijian’s new novel, Peak among the Mountains (群山之巅, 迟子建 著). Translated by Bruce Humes. For full excerpt and information on English language rights, contact Ms. Li at likangqin@99read.com . Read more about Chi Zijian here.)

非漂 [Fēi Piāo] Quote of the Week: What’s on the Curriculum for Students in South Africa?

Screen Shot 2017-01-14 at 06.44.01

One tweet in reaction to the Abantu Book Festival’s opening tweet designed to restart the decoloniality conversation:

非洲文学:中文译本

非洲文学:中文译本

(包含大陆、港台等版本)

最近更新:2017.1.19

本 “迷你数据库” 刚开始建设,绝对不算齐全,只供参阅。至今,原文都是英文或法文的书籍,但希望将来能包括其他本地语言,例如斯瓦希里、科薩語、阿拉伯语等。“年” 指的是译著出版年,而非原著作出版时间。欢迎留言!

Leila Aboulela (阿布列拉; 阿鮑蕾拉; 阿布雷雅; 莉拉·阿鲍蕾拉)

Chinua Achebe (钦努阿•阿契贝)

Chimamanda Ngozi Adichie (奇玛曼达·恩戈齐·阿迪奇埃)

  • Half of a Yellow Sun  《半轮黄日》(石平萍 译, 2010 年)
  • Purple Hibiscus 《紫木槿 (文静 译, 2017 年)
  • The Thing Around Your Neck 《绕颈之物》(文敏 译, 2013 年)

Ama Ata Aidoo (阿玛·阿塔·艾杜)

Uwem Akpan (乌文·阿克潘)

T. M. Aluko

Mariama Bâ (瑪莉亞瑪·芭)

Ishmael Beah (伊斯梅尔·比亚)

Tahar Ben Jelloun (塔哈尔·本·杰伦)

C

J. M. Coetzee (J.M.库切)

  • Age of Iron 《铁器时代》(文敏 译, 2013 年)
  • Boyhood: Scenes from Provincial Life男孩》(文敏 译, 2013 年)
  • Childhood of Jesus 耶稣的童年》(文敏 译, 2013 年)
  • Diary of a Bad Year  凶年纪事》(文敏 译, 2009 年)
  • Disgrace   《》(张冲  译, 2010 年)
  • In the Heart of the Country内陆深处》(文敏 译, 2007 年)
  • Life & Times of Michael K迈克尔·K 的生活和时代》(文敏 译, 2004 年)
  • Summertime夏日》(文敏 译, 2010 年)
  • Waiting for the Barbarians  《等待野蛮人》(文敏 译, 2003 年)

[Read more…]

非漂 [Fēi Piāo] January 2017 Newsbriefs

Alibaba: The House that Jack Ma Built is the business book that most inspired Nigeria’sthe-house-that-jack-ma-built
Iyinoluwa ‘E’ Aboyeji — co-founder of Flutterwave and Andela — last year: There are so many parallels between the intrigues of startups in China and our nascent African Startup ecosystem, he says.

Evan Mwangi reviews John Mugane’s The Story of Swahili and Alamin Mazrui’s The Cultural Politics of Translation: East Africa in Global Contexts, and wonders: Is it time for a slave rebellion in Swahili literary studies?

Etisalat Nigeria has announced the shortlist for the 2016 edition of its pan-African literary prize, the Etisalat Prize for Literature: The Seed Thief (Jacqui L’Ange, South Africa); And After Many Days (Jowhor Ile, Nigeria); Mr & Mrs Doctor (Julie Iromuanya, Nigeria).

Pwaangulongii Dauod tells us How to Write about Northern Nigeria: Your main character should be an imam, or a beggar, or farmer, or a herdsman. Or, all of it. But must be an illiterate and a Muslim who is not interested in science and technology.

 
jamal-by-alkibar-jrThe attempt by terrorists to impose Sharia law upon northern Mali resulted in the mass exodus of many musicians who had made the region famous. But music has returned to the north, and this is a review of Jamal, the first album by the new Malian group Alkibar Jr. that hails from Niafunké. Elements of Songhai, Peuhl and Tamasheq rock/blues figure on the disc.

 

African Theatre 15: China, India & the Eastern World: Newly available volume focuses on China, and features topics such as: How the PRC is  using “soft power” in its extensive engagement with South Africa, and, through its support for theatre festivals, with Lusophone countries in Africa; Construction of theatres, opera houses and cultural facilities as part of its foreign aid programs in Algeria, Cameroon, Mauritius, Ghana and Senegal; and what China is “importing” culturally from Africa.

奇玛曼达·恩戈兹·阿迪契小说 《紫木槿》 出版了:Chimamanda Ngozi Adichie, the high-profile female Nigerian novelist who is spending much of紫木槿 her time in the US, now has at least three of her works out in Chinese. The
latest, published in January 2017, is her novel, Purple Hibiscus. The other two are The Thing Around Your Neck (绕颈之物) and Half a Yellow Sun (半轮黄日).

Ece Temelkuran: Novels by Provocative Turkish Writer Coming Soon to China

专访|土耳其作家伊切:伊斯坦布尔是帝国,安卡拉是共和国

In a welcome move to break the near-monopoly of fiction sourced from a familiar pool of American, European and Japanese writers, a batch of new Turkish works will be appearing in bookstores throughout China in 2017. And they won’t be limited to further releases by Nobel Laureate Orhan Pamuk, whose name is virtually synonymous with Istanbul among Chinese readers, or Turkey’s most popular female novelist Elif Şafak (The Bastard of Istanbul).

One of the fresh faces coming to China is Ece Temelkuran’s. Notably, she will have not one but three books — including two novels — out in Chinese within

Ece Temelkuran: Turkish novelist, political commentator and investigative journalist

Ece Temelkuran: Turkish novelist, political commentator and investigative journalist

2017. The first of these, 香蕉的低语 (Banana Sounds), set in war-torn Beirut, launched in October 2016. Now under translation are a novel about four women motoring across North Africa, 《下诅咒的女人》(暂译)(Why Have a Revolution if I Can’t Dance), and a book-length exploration of “Turkishness,” intriguingly entitled 我的祖国:土耳其的疯狂与忧愁 (Turkey: The Insane and the Melancholy).

At long last, Turkey’s most classic novel of the 20th century, The Time Regulation Institute, was published in Chinese earlier this year (时间调校研究所). Ahmet Hamdi Tanpınar’s satirical look at the effects of a social engineering project gone awry — in which the Turkish authorities urge the public to jettison its Ottoman culture and ape the West no matter how bizarre the result — has been rendered by a German-based Chinese translator, Tan Lin (谭琳). Regrettably, the Chinese is based upon the German translation of Tanpınar’s original; indeed, there is a dearth of well-trained Turkish-Chinese literary translators, though several of Pamuk’s novels have been translated from the Turkish for Horizon Books.

%e9%a6%99%e8%95%89%e7%9a%84%e4%bd%8e%e8%af%adThe Time Regulation Institute joins a series of five Chinese renditions of contemporary Turkish novels already published by Shanghai Literature and Art Publishing (土耳其当代文学丛书). They include novels by some of Turkey’s best known living writers, such as Oya Baydar and Mario Levi. An additional four Turkish novels will join the series in 2017. They are: The Dervish Gate by Ahmet Ümit (托钵僧之门); Hakan Günday’s The Few (黑暗边缘); Hakan Bıçakçı’s Dark Room (黑屋), and Secrets Dreamed in Istanbul (伊斯坦布尔寻梦记,暂译) by Nermin Yıldırım. [Read more…]

“Hiraeth,” Speaking in Tongues, and Penang’s Georgetown Literary Festival (Nov 25-27)

georgetown-literary-festivalI will be one of four translators taking part in Speaking in Tongues: The Art and Craft of Translation on Saturday November 26 at the “Georgetown Literary Festival” in Penang. Our panel will be moderated by Gareth Richards, and fellow translators will be Pauline Fan, Jérome Bouchard and Muhammad Haji Salleh.

You can check out the full festival program here.

Intriguingly, the theme for this year’s festival is hiraeth, a Welsh term that Wikipedia defines as:

Homesickness tinged with grief or sadness over the lost or departed . . . a mix of longing, yearning, nostalgia, wistfulness . . . for the Wales of the past. 

We can assume that the Wales part of the formula won’t be the focal point, since nostalgia for British colonial rule is not a mainstream sentiment here. At least, I don’t think so.

I was pleased to find an essay by Malaysian feminist Zainah Anwar in the first few pages of the handbook, suggesting that this festival is not intended as an ivory tower event for the local intellectual elite. Trump and the Red Shirts of Malaysia both got a mention, for one. Have a read: [Read more…]

非漂 [Fēi Piāo] Quote of the Week: Better Ignorant than Misinformed

“. . . a society is best when it is fully and truly informed, otherwise an uninformed society is better than a misinformed one.”

(Dr Negeri Lencho, Ethiopia’s new Minister of Government Communication Affairs, speaking in a 2013 interview)

非漂 [Fēi Piāo] October 2016 Newsbriefs

season-of-crimson-blossoms欢迎访问关注非漂 [Fēi Piāo]新设的微博,liberation 时代

Season of Crimson Blossoms, a novel by Abubakar Adam Ibrahim, wins the 2016 Nigeria Prize for Literature, worth US$100,000. Writes author and critic Toni Kan: I was fascinated because I grew up in the North, first Kano and then Jos, but I was discovering something new about the North in Abubakar’s book. There was lust and passion but above all a clear-eyed exposition of what it means to be human and a woman and middle aged in Northern Nigeria riven not just by religion but by religious crises.

在 《非洲法语文学在国内的翻译》里,汪琳系统地分析 70 年代至今用中文出版的非洲文学作品。

Ethiopia opens its Chinese-built railway linking Addis Ababa to the Red Sea port city of Djibouti. It’s the first step in a 5,000km-long network of rail which Ethiopia hopes to build by 2020, connecting it to Kenya, Sudan and South Sudan.

Black Eunuchs of the Ottoman Empire, reviewed by William Armstrong. There was plenty of demand for eunuchs, and a steady supply was guaranteed by Arab horsemen raiding Africa. Most died during the castration process, driving up the price of those who survived. At their peak there may have been as many as 800 court eunuchs organized in a hierarchical, well-defined structure.

采访:恩古吉·瓦·提安哥,肯尼亚作家。他最早提倡用母语写作并以身作则。

Literary Hub proposes 25 New Books by African Writers You Should Read.

Almost two-thirds of 54,000 Africans polled consider China’s influence on Africa ispositive-african-views-of-china “somewhat” or “very positive”, according to AfroBarometer’s latest poll (free PDF summary here). At 24 percent, China is second only to the US (30 percent) as the most popular model for national development. China’s positive image is primarily based on its investments in infrastructure and low-cost of its products, while appreciation of the Chinese people, culture and language are negligible factors (2 percent).

The first online Kiswahili-Chinese Dictionary, Siwaxili, now features 14,000 entries. 想了解 “新编斯汉辞典”(在线版)背后的故事,请点这里

Authors attending South Africa’s Abantu Literary Festival in Soweto December 6-10, 2016.

Caixin on Guangzhou’s Chocolate City — Souring Business, Xenophobia Makes China Dream Lose Its Appeal for African Migrants

African Themes at Frankfurt Book Fair 2016 (Oct 19-23)

Topic: From Africa to Europe: Refugees at the border in Melilla 

Date/venue: 15:00-16:00, Oct 20, Weltempfang Stage (Hall 3.1 L 25), Frankfurt Book Fair

Language: German/English

That the EU is watching its external borders is made clear by the border fence at Melilla, the Spanish city bordering on Morocco. Björn Kuhligk’s poem Die Sprache von Gibraltar (“The Language of Gibraltar”) examines the migration of people fleeing Africa. Kuhligk has done his research on the ground. He joins Flemish-Moroccan author Rachida Lamrabet, and Moroccan essayist Rachid Boutayeb to take a closer look at this bottleneck.

* * * * * *

Topic: How do artists, creative cultural professionals and academics from Africa view the future?

Date/venue: 12:00-13:00, Oct 23, Weltempfang Stage (Hall 3.1 L 25), Frankfurt Book Fair

Language:  German/English

Panel: Moderated by Sean O’Toole (art critic, co-publisher African Futures) with Lauren Beukes (South African writer), Smangele Mathebula (South African literary activist) and Angela Wachuka (head of Kwani Trust, curator of African Futures in Kenya)