Chutzpah!: Latest Issue Devoted to Writers of non-Han Descent

Good news from the bimonthly Chinese literary magazine Chutzpah! (天南): the latest edition (Issue 14) is devoted entirely to writing by authors of non-Han descent. Several languages are involved here—most are published in Chinese, but some were written in other tongues and then translated into Chinese, while one has been rendered in English.

The latter deserves a special mention because . . . I translated it. It’s a marvelous short story by Uyghur writer Alat Asem (阿拉提·阿斯木), entitled Sidik Golden MobOff (《斯迪克金子关机》). If you want to read it in full, you’ll have to purchase the magazine in hard copy form, but here’s an excerpt. But for more information on the author, see China’s Bilingual Writers: Narrative with a Difference.  And if you can read Chinese, check out this very informative interview with the author, 地域化、全球化和双语写作. [Read more…]

Selling “Shanghai Baby” to the Hungry Masses

Writing in the China Daily (The Slim Years), Chitralekha Basu looks at how translated Chinese fiction has fared since 2000:

The last book to have notched up outstanding sales in the English-speaking market is Shanghai Baby [上海宝贝] by Wei Hui (translated by Bruce Humes/Robinson Publishing UK) in 2001. The somewhat morbid tale of a waitress-turned-writer of erotic novels—torn between an artist who overdoes on heroin and a German businessman who she knows is cheating on her—is thought to have sold over 300,000 copies.

Please note—that sales figure wasn’t provided by me! But if you’d like to know a bit more about that translation project, see Bruce Humes and his Shanghai Baby.