Boubacar Boris Diop and His Wolof Publication Initiative

Boubacar Boris Diop, Senegalese author of Doomi Golo which he wrote in Wolof (and later translated into French), has launched the “Céytu” initiative to publish major works of francophone literature in Wolof. The language is spoken by about 11m people in Sénégal,Mariama Bâ Bataaxal bu gudde nii Mauritania and the Gambia. In this interview with Anne Bocandé of africultures.com, he explains the three works he has begun with:

Une si longue lettre [好长的一封信] de Mariama Bâ s’imposait par sa valeur propre mais aussi par l’exceptionnelle traduction, qui existait déjà, de Mame Younousse Dieng et Arame Fal ; L’Africain de Jean-Marie Le Clézio, est un tour de force en ce sens qu’il reste une confession à la fois intime et d’une ahurissante précision documentaire ; la pièce de Césaire sur l’assassinat de Lumumba a beau dater des années 70, elle reste actuelle quand on pense, par exemple, au destin tragique d’un Thomas Sankara, aux événements du Burkina et même au rôle plus que douteux de l’ONU dans des événements allant du génocide des Tutsi du Rwanda à la Syrie ou la Libye. J’avais une folle envie de traduire Une saison au Congo et maintenant, je souhaite faire jouer la pièce dans les grandes villes du Sénégal.

To read the full interview, click here.

To visit Céytu: Littérature en Wolof, click here.

非漂 [Fēi Piāo] March 2017 Newsbriefs

Call for Papers

Workshop on Strategies for the Promotion of African Language Literature. To be held at the University of Vienna May 2-4. Deadline for abstracts: March 15, 2017.

 

Topics

J.O.J. Nwachukwu-Agbada’s Nigerian Written Literature Since 1914: . . . to write a piece of African literature without the injection of African traditional materials is like preparing a soup without thinking of salt. African oral materials found even in snippets confer authenticity on the modern African literary heritage. Thus Achebe, Soyinka, Okigbo, Okara, Aluko, Clark, Ike, Amadi, etc. are today remembered among other reasons for what they have made of orature which they inherited from their different cultures . . . recent writers are even more aggressively adept at appropriating folk materials: Osofisan, Okri, Osundare, Fatoba, Sowande, Ofeimun, Enekwe, Nwabueze, Ezenwa-Ohaeto . . .

Full text of speech by Ngũgĩ wa Thiong’o in Pretoria in early March, Decolonize the Mind, Secure the Base: The entire African language speaking majorities are taxed directly or indirectly so that 90 percent of the resources available for language education can go to English accents. In some countries African language have been unceremoniously axed out of the curriculum or made into electives. Some advocates of English dominance not only want it so but would actually like to see the literary disappearance of native languages altogether. 

非洲文学:中文译本

非洲文学:中文译本

(包含大陆、港台等版本)

最近更新:2017.6.25

本 “迷你数据库” 刚开始建设,绝对不算齐全,只供参阅。至今,原文都是英文或法文的书籍,但希望将来能包括其他本地语言,例如斯瓦希里、科薩語、阿拉伯语等。“年” 指的是译著出版年,而非原著作出版时间。欢迎留言!

Leila Aboulela (阿布列拉; 阿鮑蕾拉; 阿布雷雅; 莉拉·阿鲍蕾拉)

Chinua Achebe (钦努阿•阿契贝)

Chimamanda Ngozi Adichie (奇玛曼达·恩戈齐·阿迪奇埃)

  • Half of a Yellow Sun  《半轮黄日》(石平萍 译, 2010 年)
  • Purple Hibiscus 《紫木槿 (文静 译, 2017 年)
  • The Thing Around Your Neck 《绕颈之物》(文敏 译, 2013 年)
  • We Should All Be Feminists《女性的权利》(2017 年)

José Eduardo Agualusa (若泽·爱德华多·阿瓜卢萨)

  • O Vendedor de Passados《贩卖过去的人》(2015 年)

Ama Ata Aidoo (阿玛·阿塔·艾杜)

Uwem Akpan (乌文·阿克潘)

T. M. Aluko

Mariama Bâ (瑪莉亞瑪·芭)

Ishmael Beah (伊斯梅尔·比亚)

Tahar Ben Jelloun (塔哈尔·本·杰伦)

C

J. M. Coetzee (J.M.库切)

  • Age of Iron 《铁器时代》(文敏 译, 2013 年)
  • Boyhood: Scenes from Provincial Life男孩》(文敏 译, 2013 年)
  • Childhood of Jesus 耶稣的童年》(文敏 译, 2013 年)
  • Diary of a Bad Year  凶年纪事》(文敏 译, 2009 年)
  • Disgrace   《》(张冲  译, 2010 年)
  • In the Heart of the Country内陆深处》(文敏 译, 2007 年)
  • Life & Times of Michael K迈克尔·K 的生活和时代》(文敏 译, 2004 年)
  • Summertime夏日》(文敏 译, 2010 年)
  • Waiting for the Barbarians  《等待野蛮人》(文敏 译, 2003 年)

[Read more…]

African Literature in China: Still Stuck on “Things Fall Apart”?

China’s 21-century investment in Africa is massive, multifaceted and a cause of anxiety for leaders in Washington, London, Paris and among the continent’s other former colonial masters, as well as New Delhi. But China is not just busy building airports and railways in Africa, or inking deals to monopolize the exploitation and export of valuable minerals and fossil fuels for decades to come.

The exercise of “soft power” is very much on the agenda too. China-funded Confucius Institutes—promoting the teaching of Chinese language and culture—are popping up throughout Africa, including Egypt and Morocco in the Arab world, and several sub-Saharan countries, including Benin, Botswana, Cameroon, Kenya, Nigeria and Rwanda.

In return, one might well ask: what is China “importing,” culture-wise, from Africa?  If the translation and publication of African writing in Chinese is anything to go by, the continent is hardly a blip on China’s cultural radar.

Internet research and our interviews with Chinese publishers indicate that the golden age of African literature in Chinese translation may well have been during the 1980s. Foreign Literature Publishing House (外国文学出版社), empowered by Beijing’s policy of promoting solidarity with the Third World back then, translated and published a fair number of African works such as those by Nigerian (Wole Soyinka), Kenyan (James Ngugi), Senegalese (Leopold Sengor) and Algerian (Mouland Mammeri) writers, as well as collections of folk tales for children, etc.

To read the rest of this article, click here.