Search Results for: manas

Jusup Mamay, Manaschi: A Rehabilitated Rightist and his Turkic Epic

A while back I stumbled upon a short Chinese news item about a newly discovered handwritten manuscript of the Kyrgyz Epic of Manas (玛纳斯史诗). This centuries-old trilogy in verse recounts the exploits of the legendary hero Manas, and his son and grandson in their struggle to resist external enemies and unite the Kyrgyz people. Along with heroic tales such as Dede Korkut and the Epic of Köroğlu, Manas is considered one of the great Turkic epic poems. To get a feeling for how it sounds, listen here to a brief recitation by Manas scholar Elmira Köçümkulkızı.

Mural of Manas in OshAccording to the report (手抄本被发现), a retired cadre named 吾米尔·毛力多 in Xinjiang’s Wuqia County recently donated a 570,000-line, Kyrgyz-language Manas libretto to the local branch of the China Federation of Literary and Art Circles.

Based on the notes of a famous Manas storyteller or manaschi named 艾什玛特·玛木别朱素普, the text was painstakingly hand-copied by the cadre in the 1950s. At some point during the Cultural Revolution he learned the original had been seized and burnt, so he wrapped his own copy in several layers of cowhide and buried it in his courtyard for safekeeping.

“Now,” the news report quotes him, “I figure it is time to let this hand-copied manuscript see the light of day.”

Intrigued by the gap in time between the manuscript’s burial and its “re-discovery”— after all, the Cultural Revolution ended almost 40 years ago — I wondered why the text of an ancient Turkic epic like Manas is so politically sensitive. [Read more…]

Altaic Storytelling: What We’re Reading Now (2017.5)

A few years back I read a longish, semi-autobiographical novel by Guo Xuebo (郭雪波), who was raised in the Horchin Grasslands of Inner Mongolia (科尔沁草原) and is a native speaker of Mongolian. Entitled 《蒙古里亚》— an attempt to replicate the sound of “Mongolia” in Chinese, I assume — it comprises three distinct narratives that are intricately intertwined as the novel progresses: A spiritual journey, in which the narrator/author seeks his Shaman roots; various “scenes” from the journey of a real-life, early 20th-century Scandinavian explorer among the Mongols; and the tribulations of Teelee Yesu (特勒约苏), a modern-day Mongolian herdsman, considered by many to be the village idiot, whose very survival is threatened by desertification and the machinations of a greedy coal mining company. I just finished my draft translation of an excerpt from the novel, in which Teelee is jailed for threatening to self-immolate (自焚). The excerpt all takes place in jail, as a bevy of reporters, Banner honchos and a mysterious security official alternately congratulate, chide and interrogate him, the latter out of fear that — heaven forbid! — he has been inspired by Tibet’s self-immolating Buddhist monks.

I’ve just started reading Manas Resurrected, a short story by Xi’an’s Hong Ke (《复活的玛纳斯》红柯 著). As far as I know, it has not been translated yet. I’m intrigued for two reasons: The reference to the ancient Kyrgyz epic Manas, and the fact that it is set in the early 60s when the Soviet Union’s Kazakhstan did its best to lure Xinjiang residents (mainly Kazakhs and Uyghurs) across the border. Apparently as many as 60,000+ did actually leave China. I don’t know much about this mass movement or the politics behind it, but it has not been forgotten in the PRC. The exodus came up in a short story (Sidik Golden MobOff) and again in a novel (Zuilian) by the Xinjiang-based Uyghur author Alat Asem, both of which I translated. He repeatedly refers to the attraction a new life in Kazakhstan exercised on many Uyghurs during that period, and at times his protagonists speak of the émigrés with great disdain.

Quick Guide to China’s Contemporary Ethnic-themed Literature in Translation

Updated: Sep 12, 2017

Quick Guide to China’s Contemporary 

Ethnic-themed Literature in Translation

I’m often too busy to immediately write a well-researched post about contemporary “ethnic-themed” fiction that has been translated and published in a foreign tongue. This is a loose category (民族题材文学) that includes stories — regardless of the author’s ethnicity — in which non-Han culture, motifs or characters play an important role.

In my brief list below, there are entries for fiction (and a bit of poetry) touching on peoples such as the Bai, Evenki, Hui, Kazakh, Korean, Kyrgyz, Manchu, Miao, Mongolian, Lahu, Lisu, Oirat, Seediq, Tibetan, Tujia, Uyghur, Xiongnu and Yi. Unless noted, the original is in Chinese and the translation is in English. But I’ve also included a handful of renditions into French, German, Spanish and Japanese.

I welcome your updates and corrections.

Here is a set of links I hope you’ll find useful:

General

Chinese Fiction in Translation: Novels/Novellas with “Ethnic” Theme 

  • Table with info on ten works translated into English or French during 2009-14, including writing by Alai, Chan Koonchung, Chi Zijian, Fan Wen, Gao Jianqun, Jiang Rong, Li Jinxiang, Pema Tseden, Shi Shuqing, Wang Gang and Wu He.

Chutzpah! Issue 14

  • Dedicated to non-Han authors including Alat Asem, Aydos Amantay, Baoerj Yuanye, Ju Kelzang, Kanglin Gioro, Lhajam Gyel, Muhammedemin Abliz, Na Zhangyuan, Pema Tseden and Ye Fu.

Columbia Anthology of Chinese Folk and  Popular Culture

  • This collection presents works drawn from the large body of oral literature of many of China’s recognized ethnic groups — including the Han, Yi, Miao, Tu, Daur, Tibetan, Uyghur, and Kazakh — and the selections include a variety of genres such as epics, folktales, folk songs and quyi. Edited by Victor Mair and Mark Bender.

Pathlight Issue Spring 2014

  • Dedicated to non-Han authors including Alat Asem,  Artai, Aydos Amantay, Ayonga, Dan Zeng, Guan Renshan, Jin Renshun, Memtimin Hoshur,  Jidi Majia, Luruodiji, Ma Huan, Nie Le, Patigul, Ye Fu, Ye Guangqin, Ye Mei and Yerkex Hurmanbek.

 

Evenki (鄂温克族)

Balajieyi (芭拉杰依)

  • 驯鹿角上的彩带 (lit., colored ribbon on the reindeer’s horns): To be translated into Swedish by Anna Gustafsson Chen and published within 2017. It features an Evenki narrator telling an Evenki love story that spans the 1900-1950 period. The author is a 74-year-old Evenki woman whose mother was Aoluguya’s last practicing shaman. She explains her motivation for writing the book:  “Since mother departed, no one has donned that Shaman Spirit Robe made of metal and leather, or struck the Spirit drum to pray for the Evenki . . . There are some things that, if I don’t record them, will truly be forgotten. I began collecting and collating our traditional handicrafts and legends. I want to use words to leave a record of everything about us Evenki. This is our people’s collective memory . . . I want to leave this for the children who love the forest.”

Chi Zijian (迟子建)

Gerelchimig Blackcrane (格日勒其木格・黒鶴)

Hui (回族)

Huo Da (霍达)

  • Funeral of a Muslim (穆斯林的葬礼): With sales of some 2.5 million copies, Huo Da’s tale about three generations of a Hui family in Beijing is quite possibly the most popular ethnic-themed novel ever published in China. It spans the turbulent years of the Japanese invasion, World War II and part of the Cultural Revolution.

Li Jinxiang and Shi Shuqing (李进祥、石舒清 )

La rivière des femmes: Nouvelles huiStories set among the Muslim Hui along the banks of Qingshui River in Ningxia.

Shi Shuqing (石舒清)

  • 西海固の人々  (西海固的事情): Collection of short stories set in Ningxia’s Xihaigu Prefecture.

[Read more…]

Ethnic ChinaLit Roundup for end January 2016

Multilingual CASS scholar Adili Zhumaturdu (阿地力·朱玛吐尔地) reports that his 4-volume Chinese translation of the Kyrgyz epic, Manas (玛纳斯史诗), has made it onto the list of 86 books for “popularizing multi-ethnic traditional culture” (全国推荐中华优秀传统文化普及图书名单) recommended by China’s very official State Administration of Radio, Film and Television. An ethnic Kyrgyz, he worked closely with Jusup Mamay, China’s last great Xinjiang-based manaschi capable of reciting the classic that counts over 200,000 lines of verse. Zhumaturdu is also the author of a detailed Chinese-language biography of the much-revered storyteller (居素普·玛玛依评传) that I discuss in Jusup Mamay, Manaschi: A Rehabilitated Rightist and his Turkic Epic.

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A typeface that fuses the Tibetan script with Latin letters — referred to as the “China Daily Tibet Font” (see headline China Daily Tibetan Fontat right) – was featured in a report celebrating the 50th anniversary of the Tibet Autonomous Region. It was created as a collaboration between China Daily and Beijing Founder. Details are scant, but no Tibetan names figure among the designers. Interest in things Tibetan among mainstream Chinese and foreigners alike has fueled literary output over the last few years, including the wildly popular Tibet Code (藏地密码) and the controversial Unbearable Dreamworld of Champa the Driver.

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Behemoth (悲兮魔兽), a harrowing documentary by Zhao Liang about coal mining in Inner Mongolia, was recently screened in Beijing. Well received at international venues such as the Venice Film Festival, it has been shown to small audiences just three times in China and has reportedly been banned. Watch the trailer here. As I’ve reported before, ethnic Mongolian herders say access to traditional grazing land is increasingly being curtailed or permanently denied in favor of rapacious mining and logging projects, and inadequate or total lack of compensation for the land is also an issue. For more information, see Inner Mongolian Artists Speak Up.

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Tujia folklorist Sun Jiaxiang (孙家香), who documented more than 500 Tujia folk tales and authored 孙家香故事集 (lit, Sun Jiaxiang’s Collected Tales), passed away in January 2016, aged 97. Chinanews.com (土家族首位女性故事家) reports that her collection was officially designated for publication under the Ninth Five-year Plan (1996-2000), and it does appear to have been published (here). Sadly – like so many state-bankrolled publications about China’s ethnicities – I cannot find where it can be purchased online. However, Lin Jifu’s 孙家香故事讲述研究 is available, and it profiles her as a folklorist and a storyteller in her own right.

About Me (关于我)

Welcome to 非漂 [Fēi Piāo]. My name is Bruce Humes (徐穆实), and this is the newest reincarnation of the blog I launched back in 2009 and have hosted since.Bruce Humes Jan 1 2015

Previous titles were Altaic Storytelling, and Ethnic ChinaLit: Writing by & about non-Han Peoples of China.

Regardless of whatever my current theme is, some 300+ Altaic Storytelling,  Ethnic ChinaLit posts will remain accessible from my Home Page. You can also find some of my own Chinese-to-English literary translations here.

Keen to experience socialism with Chinese characteristics back in the ’80s, I first took a detour to Taipei and Hong Kong but went on to reside in Shanghai, Kunming and Shenzhen. At the moment, I’m commuting between Malaysia and Taiwan, and studying modern Japanese on my own.

Every few years I try to travel to another country, arrange a home-stay, and attend immersion classes in the national language. I’ve done so in Paris, St. Petersburg, Kyoto and most recently, Istanbul. Fascinating cities, all of them — if only I’d learned enough Turkish to hold a decent conversation!

For well over two decades I’ve made a living as a China publishing consultant, export management trainer, market researcher, writer, editor and Chinese-to-English translator. You can find more detailed background on my published literary translations here.

I’ve been interviewed about my blog and literary translations in The BTS Interview 迟子建:从额尔古纳河右岸到大洋彼岸,  and Bruce Humes and his Shanghai Baby.

Among the current posts, my personal favorites include:

Contact/联系

One Belt, One Road: China’s Soft Power Campaign Quietly Inches its Way to Middle East and North Africa

A children’s literature exhibition and copyright exchange for countries along the Silk Road were two of the major focuses of the just-ended Beijing Int’l Book Fair, reports the Global Times (Book Fair):

Children’s book publishers from 15 Arab countries and 18 domestic publishers signed deals that will see the best of children’s literature from China and the Middle East be shared between the two regions.

Given the increasing number of culture exchanges between China and Arabian countries, the China
Publishing Group, China’s largest publishing company, has worked on expanding cooperation with over 20 countries in the Middle East. At the fair, the publisher announced it closed a deal with Middle Eastern publishers to bring Maodun Literature Prize winner Zhou Daxin’s
Requiem [安魂] to the region. The publishing house’s Mottos of Modern Chinese previously sold more than 10,000 copies in One Road, One Beltthe region — a record for Chinese books sold in the Middle East. 

This will come as no surprise to you, assuming you’ve been following the developments about China’s far-reaching One Belt, One Road campaign (一带一路), a development strategy and framework that seeks to foster connectivity and cooperation between China and the countries along the ancient Silk Road.

At the moment, the Silk Road Economic Belt is getting a lot of press coverage for its grandiose proposed infrastructure projects, and the fact that it is making Moscow and Washington rather jittery. But there’s a more subtle side to it. The “Silk Road Fragrant Books Project” (丝路书香工程) is effectively the cultural component of the campaign. Given the stamp of approval by China’s Ministry of Propaganda, it is designed to stimulate the translation and publication of great literary, historical and cultural works that are grounded in the cultures of peoples along the ancient Silk Road.

Turkish version of Tie Ning's "The Bathing Women" (大浴女)

Turkish version of Tie Ning’s “The Bathing Women” (大浴女)

The project plan for 2014-20 includes translation subsidies, translations between Chinese and various foreign languages, international exhibitions, and a database of Silk Road publications. The definition of “silk road” is quite broad, including both the original land-based caravan routes from Xi’an through Central and West Asia, the Middle East and Europe, as well as the so-called Maritime Silk Road that linked the South China Sea, South Pacific and the Indian Ocean.

As I reported in Slice of the Pie, the Silk Road Fragrant Books Project already claims a number of achievements. Agreements were inked in 2014 to set up “mechanisms” to facilitate mutual silk road translation projects with countries such as Morocco, Saudi Arabia, Kuwait, Sri Lanka, Kazakhstan and Mongolia. Nationalities Publishing House (民族出版社) has reportedly undertaken to publish 17 books in Kazakh, including Three Hundred Tang Dynasty Poems (唐诗三百首) and the contemporary classic The Governance of China (习近平谈治国理政) by none other than President Xi Jinping. [Read more…]

China’s New Intangible Cultural Heritage Encyclopedia: Celebration of Multi-ethnicity, or Aggressive Cultural Appropriation?

Encyclopedia of Intangible Cultural HeritageChina unveiled its premier Encyclopedia of Chinese Intangible Cultural Heritage (中国非物质文化遗产, 史诗卷) on June 12, reports China Daily (Released). This is the first of three volumes, and is dedicated to three great oral epics of the Tibetans, Mongols and Kyrgyz, respectively: King Gesar, Jangar and Manas.

The cover is in Chinese and English, but I do not know if the content itself is bilingual. For a fuller press release in Chinese, see 首发式.

Compiled by the Chinese Academy of Social Sciences (CASS) and the China Federation of Literary and Art Circles, the volumes will document China’s vast treasure house of ancient culture in the fields of folklore, traditional music, dance, opera and even herbal medicine. I have not seen the book, and it is not clear from the article whether the 1,219 items to be cited will be ones that have been registered with UNESCO, or simply ones that China has unilaterally categorized as its “intangible cultural heritage.”

China has been very pro-active in winning international recognition of its intangible cultural heritage, particularly traditions of its non-Han ethnic minorities, and some of its neighbors are less than pleased about it. For instance, China initially registered the Epic of Manas as an Intangible Cultural Heritage with UNESCO back in 2009. This has since been vigorously contested by Kyrgyzstan officials — who maintain they were not informed about China’s application for recognition — since they consider it “an artifact of Kyrgyz nationhood.” See UN Recognition. 

The larger issue here, of course, is whether this flurry of registrations and publications represents China’s desire to embrace and celebrate its multi-ethnic society, or whether it intends to possess and monopolize — “appropriate,” if you like — the outstanding cultural achievements of peoples such as the Mongols, Tibetans or Kyrgyz, some of whom do not perceive of themselves as “Chinese” no matter which side of the border they live on, and who fear, rightly or wrongly, colonization or a less obvious form of cultural genocide. [Read more…]

Silk Road Economic Belt: Translators to Get their Slice of the Pie

Representatives of five of China’s northwestern provinces met June 15 in Xining to discuss how to benefit from the “Silk Road Fragrant Books Project” (丝路书香工程). This is a global publishing initiative, given the stamp of approval by China’s Ministry of Propaganda, which is designed to stimulate the translation and publication of great literary, historical and cultural works that are grounded in the cultures of peoples along the ancient Silk Road. Details can be found in this Chinese news piece (西北五省).

The project plan for 2014-20 includes translation subsidies, translations between Chinese and various foreign languages, international exhibitions, and a database of Silk Road publications.

The definition of “silk road” is quite broad, including both the original land-based caravan routes from Xi’an through Central and West Asia, the Middle East and Europe, as well as the so-called Maritime Silk Road that linked the South China Sea, South Pacific and the Indian Ocean.

Predictably, China publishers have rushed to cash in by offering to translate and publish politically correct tomes. The Nationalities Publishing House (民族出版社), for instance, has put in a bid to translate Xi Jinping’s The Governance of China (习近平谈治国理政) into Kazakh.

Meanwhile, some titles targeted for translation leave one scratching one’s head. [Read more…]

Definitions of “Chinese” Literary Works in Expansion Mode?

An intriguing picture of what constitutes Chinese literature (中国文学) emerges via an interview with Bai Gengsheng (访中国作协书记处书记白庚胜), a Naxi who has held several senior positions in the state-run ethnic minority literary research apparatus, including his current role as Secretary of the China Writers Association.

In the interview with Chinese Reading Weekly (中华读书报), Bai says:

In ancient times, the myths, epics and narrative poems of minority ethnicities blossomed with éclat in the garden of Chinese — even global — literature . . . Guan Hanqing (关汉卿), Pu Songling (蒲松龄), Nalan Xingde (纳兰性德), Cao Xueqin (曹雪芹), Abay (Ibrahim) Qunanbayuli (阿拜), Tsangyang Gyatso (仓央嘉措), Maḥmūd al-Kāšġarī (喀什噶理), Ali-Shir Nava’i (纳瓦依), Kutadgu Bilig (福乐智慧), The Gate of Wisdom (真理的入门), Compendium of the languages of the Turks (突厥语大辞典), Secret History of the Mongols (蒙古秘史), Dream of the Red Chamber (红楼梦), Storied Building with a Single Floor (一层楼), Weeping for the Red Pavilion (泣红亭), and The Story of Qing Dynasty History (青史演义) are all world-renowned authors and works.

It is interesting to note that Bai does not mention Life of Jangar (Mongol, 江格尔), King Gesar (Tibetan, 格萨尔王), and Manas (Kyrgyz, 玛纳斯), which are now officially recognized by Beijing as the three great non-Han epics of ancient Chinese literature. Over the last year or so, however, several experts in ethnic literature have pointed out that these works are still not widely introduced in standard textbooks on Chinese literature used in the PRC today.

I recently published a post about how writing in languages native to China — other than Mandarin — has long been relegated to the periphery by Han literary historians. Here’s a passage from that post (Mother-tongue Literature) (the words are mine, my summary of ideas presented in Chinese by Liu Daxian, who is a member of the editorial staff at the quarterly Studies of Ethnic Literature 民族文学研究):

Liu emphasizes that “mother-tongue literature” includes both written and oral forms. He points out that “literature” as defined and promoted via China’s modern education, media and scholarship, tends to focus on written forms such as the novel, poetry, essays and drama, and since much mother-tongue literature — by which he basically means “literature in indigenous languages except for Mandarin” throughout the essay — doesn’t easily fit in those categories, it is viewed as a non-mainstream, even subtly inferior class of literature (亚文学).

If anything, Bai’s list of Chinese literary classics by a range of multi-ethnic authors moves in the opposite direction. He concentrates on “written” (as opposed to “oral”) literature, and considers the texts he cites as mainstream. But does his list represent the result of a positive and inclusive view of Chinese literature, or an expansive, even imperialist one in which the Chinese literary establishment is attempting to appropriate classics that rightfully belong to other peoples of Northeast and Central Asia? [Read more…]

Unveiled: List of “2014 China Classics” to Benefit from Translation/Publication Subsidy

Tenzin's collection of autobiographical works

Tenzin’s collection of autobiographical works

In yet another move that emphasizes how much $$ China is spending to take its literature global, the 2014 list of finalists for the “China Classics International Publication Project”  (经典中国国际出版工程) has just been announced. It comprises 256 titles that will be translated into 27 languages, according to an article on China Book Int’l (入围). You can find the full (but unprintable!) list here in Chinese.

The translation and publication of these works will be subsidized, but the specific amounts are not detailed. Obviously, this represents an opportunity for enterprising foreign translators and publishers to follow up. [Note: I’ve just been asked how to apply for your share of the subsidy pie, and all I can suggest is: contact the publishers of these works direct.]

Works of fiction represent but a small number of the finalists. Authors whose fiction appear on the list include [Read more…]